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IBC 2024: AI’s Greatest Power in Media is to Make it Seem Normal

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很难让人工智能远离新闻头条 IBC展会2024, 不是因为在新闻或产品方面有什么突破性的东西,而是因为这项技术现在是每个媒体技术对话的重要组成部分.

“This is a watershed moment for artificial intelligence,——安迪·胡德, 广告集团新兴技术副总裁 WPP 他在IBC会议上说. “Because AI enables people at every level of our organisation do what they need to do.”

关于人工智能的实际和积极应用的信息——其中人类仍处于循环之中——与关于生成式人工智能影响和好莱坞罢工后果的狂热恐慌形成鲜明对比.

“AI is a buzzword but it is also a technology that can be used to create exciting new products,Huma Lodhi说, 首席机器学习工程师, 天空, demonstrating an AI powered sports highlights generator that won 天空 and Comcast a technical Emmy.

也就是说, 关于GenAI自动化整个流程(如脚本编写或视觉特效)的讨论很少,更不用说叙述内容了. 对算法取代工作的担忧已经转变为积极采用人工智能进行分析、后台系统和一些生产功能. 人工智能与云计算的结合,现在被视为让广播行业恢复财务平衡的绝对关键.

AI is an example which humans can get very resistant to based on what they don’t know,” said 菲尔明智, EVP and CTO at Paramount Global. “A big part of our time is spent educating with programs around technology. We even sit in on productions to talk through ideas rather than try to push top down.” 

从左到右:Bhavik Vyas, AWS; Maninder Saini, 12个实验室; Lewis Smithingham, Monks; Richard Kerris, 英伟达; Sepi Motamedi, 英伟达

点击这里 查看完整尺寸的图像

从实验到实施

Banijay娱乐, a French-headquartered TV production company, is on track to post €4 billion in revenue this year. It has partnered with Adobe and AWS to index all 200,000+ hours of content it owns with the aim of speeding up and expanding versioning for distribution.

“经过大量的实验, it’s clear that AI-powered workflows and logistics will generate great savings and improve our profitability,首席营销官达米安·维尔(Damien Viel)说. “我们对待人工智能就像创办一家新企业一样. 我们仍然是一家创意公司,而不是一家科技公司,所以我们必须确保我们正在开发的技术能够帮助创意人员以他们一贯的方式完成他们的工作.”

类似的, 奥运会主办广播公司OBS正在利用人工智能实现“全球本地化”规模,将其直播内容剪辑并分发到数字平台,但对将人类排除在这条链之外持谨慎态度.

“今年我们本可以在巴黎使用人工智能直接向用户发布内容,但你仍然需要制衡,这只有经验丰富的编辑才能做到,克里斯·杰克逊解释道, 数字数据和分析全球主管, 奥运频道.

The more capable your AI product the greater the risk of introducing bias and errors, he warned. “We built an editorial co-pilot to help human editors check the output data before going direct to end users.”

向我走来

人工智能被认为是解锁内容所有者档案中的IP,以及为日益个性化的媒体流切割内容的关键.

“We are at the beginning of a 内容创作 revolution,弗雷德·霍雷什说, Chief of Strategic AI Partnerships at GenAI platform Bria. 从传播一个想法转变为一种模式,在这种模式中,媒体以多种不同的形式表达和表现出来.”

小组成员一致认为,消费者想要更有针对性的个性化播放列表,广播自然会演变成流媒体的“个人电视”.’

“We’re at a new frontier for rights owners to make the most of the rich IP they have,曼宁德·塞尼说, 业务增长主管 12个实验室, 谁开发了一种深度学习模型,可以从多个接触点提取有关内容和用户的信息.

“Broadcast, sports leagues, teams, and studios are sitting on IP and not sure what to do with it. 使用基于人工智能的元数据提取, they can make sense of what they have and make more of it through targeted adverting and hyper-localized video.”

只有在内容所有者将其系统转移到云端的情况下,使用人工智能将内容存档从成本中心转变为利润中心才可行. 刘易斯·史密斯汉, 蒙克斯战略产业执行副总裁指出, “Content owners with their archive on LTO tape are going to be challenged in monetizing that asset.”

如果服务提供商能够出售个性化的内容推荐或促销,他们就有盈利的机会.

“We will soon see AI influence content,” said Richard Kerris, VP and GM of Media & 英伟达娱乐. “We’re already seeing the ability to change on-screen logos in sports distributed to different territories. 下一步是,人工智能将把直播中的产品植入高度本地化,精确到特定的地理区域和特定的产品.”

没有标准和指导方针

对于一项具有人工智能潜力但在实施保障措施和监管行业方面缺乏先例的技术,人们仍然感到担忧, 我们在IBC被告知, 得到了这个.

SMPTE President Renard Jenkins spoke of a lot of “soft deployments” of AI in M&SMPTE正在与工作室合作, content owners and vendors on education around AI implementation.

“技术的发展速度超出了我们的能力,所以我们正在与社区合作,了解他们正在计划和发布什么. 人工智能是我们设计方式的根本性改变, what we use and how this is integrated into our individual processes. In the age of AI we have to have guardrails and that’s where policies and standards becomes extremely important.”

随着欧盟人工智能法案的生效, 欧洲广播联盟的一位高级政策顾问告诉IBC,与人工智能开发者的合作仍在进行中,这意味着内容创作者的保护和报酬问题尚未解决.

 “我们希望与人工智能提供商进行全面讨论,为我们的成员提供谈判杠杆,以换取使用他们的内容,弗朗索瓦·拉瓦说. “我们的目标是给予会员控制权.”

A word of warning came from Juan Reyes of the Tech Align Group; “AI is in every room and every panel here at IBC but there is no standard and no guideline. 工作室担心自己的IP会被其他工作室或内容创造者工作室抢走,因为他们的IP没有在AI系统中被追踪或记录.”

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